![]() But he views the medium as a vital means of communication - and, in his words, “communicating is what we’re put on earth to do.” It would be easy to dismiss fashion as a frivolity, particularly in these times. It turned into a personal, private little ceremony.” ![]() “That was very fulfilling for all of us, it was a different dynamic that was really bonding. The team were there from the conception of the collection, putting it together, assembling everything to the final presentation,” Owens says. “Some of us have been together for 18 years, so this was a completely new way to play together. “If we are supposed to be representing excellence in this field, we have to step it up, we have to be a good example and we have to do our very best.”Īlthough the FW21 “GETHSEMANE” show was more expansive, it was all put together by the small team at Owens’ studio, as the designer continued to strip things back. “I realized we have to fight back,” he explains. Rick Owens’ Fall/Winter 2021 show was an altogether different affair, shot in Venice - where Owens lives for half the year - and featuring a bigger cast of models. “It felt modest, intimate and personal.” After that show, however, it was time for Owenscorp to open up. “That felt like the suitable thing for the moment,” Owens continues. Once the team was back together, they worked on Owens’ sombre Spring/Summer 2021 presentation, which was modelled by Tyrone Dylan Susman and shot entirely in his studio. “I’m kind of reclusive anyway, so an excuse not to engage with the world wasn’t really a problem.” ![]() Everybody was determined to not let this slow us down,” he says. “When we started going back to work, everybody was so happy to be back together and back at work. In Owens’ case, the enforced break gave him and his team a new appreciation of what they were doing. Owens’ appreciation of the last year represents the two sides of the pandemic: while many have experienced their hardest and most traumatic times, others have been able to press pause. I’ll really remember the first lockdown as a magic time, being forced to sit under a tree every day and read was a blessing, being able to appreciate everything we had, being able to appreciate how far we’d come, and being able to develop the relationships with the people closest to us. I’m kind of reclusive anyway, so an excuse not to engage with the world wasn’t really a problem. “I had a certain amount of comfort, I was able to get quieter. “I’m coming from a privileged corner, I didn’t have to endure a lot of the hardships and I totally sympathize and empathize with that,” he says. ![]() Paris, the city Owens has called home for 18 years, has just been plunged into another month-long lockdown. This interview is taking place almost exactly a year since restrictions were announced across Europe. “It’s not like there’s much to do here anyway, so we don’t feel the absence of stimulation.” Owens’ time in Concordia - where he is currently planting a new vegetable garden and reconfiguring the Owenscorp cafe menu - is symbolic of how his priorities have changed over the last 12 months. “It seems less ominous here in a provincial village than it does in the middle of the city,” he says. Owens describes the location as idyllic, but is also aware of the privilege it affords him. When the COVID-19 pandemic showed no sign of slowing, he decamped to the village of Concordia, Italy, where his factory is based. Despite everything, Rick Owens had a good year.
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